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1760 by John Cotton and Joshua Eddowes, which in its turn was based on a chapbook ca. This plot summary is based on a text published ca. The film made extensive use of stop motion in the manner of Ray Harryhausen. In 1962, a feature-length film based on the tale was released starring Kerwin Mathews. Henry Fielding, John Newbery, Samuel Johnson, Boswell, and William Cowper were familiar with the tale. One scholar speculates the public had grown weary of King Arthur and Jack was created to fill the role. Jack's story did not appear in print until 1711. Jack and his tale are rarely referenced in English literature prior to the eighteenth century (there is an allusion to Jack the Giant Killer in Shakespeare's King Lear, where in Act 3, one character, Edgar, in his feigned madness, cries, "Fie, foh, and fum,/ I smell the blood of a British man"). Jack's belt is similar to the belt in " The Valiant Little Tailor", and his magical sword, shoes, cap, and cloak are similar to those owned by Tom Thumb or those found in Welsh and Norse mythology. Some parallels to elements and incidents in Norse mythology have been detected in the tale, and the trappings of Jack's last adventure with the Giant Galigantus suggest parallels with French and Breton fairy tales such as Bluebeard. Giants are prominent in Cornish folklore, Breton mythology and Welsh Bardic lore. The tale is characterised by violence, gore and blood-letting. PG-13, a lot of fantasy violence, some of it bordering on graphic." Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. Whether that’s worth paying money for is up to you. Neither film is “bad,” but neither film is really necessary or memorable, either. I’ve heard people compare “Jack the Giant Slayer” to last year’s “John Carter,” in terms of budget and scope as well as entertainment value. And it doesn’t help that Isabelle, supposedly an adventure seeker, proves to be a disappointingly typical damsel-in-distress type. Hoult had more chemistry with his co-star in “Warm Bodies,” in which he played a zombie. Jack and Isabelle are blank slates, though: likable enough, as far as that goes, but completely uninteresting as protagonists. Tucci, McGregor, and McShane are all in fine form, giving robust performances as characters who hardly deserve such attention. Complications ensue, and there is a battle between the race of men and the race of giants. Roderick knows of an artifact that would enable him to rule the giants as their king, and he sees the quest to rescue Isabelle as his golden opportunity to try it out. To add some perfidy to the story, there is Stanley Tucci as Roderick, the king’s power-hungry adviser and the man to whom Isabelle’s hand in marriage has been promised. The king sends his army, led by Sir Elmont (Ewan McGregor), up the stalk to rescue her, accompanied by fearless young Jack. (Her loving father, the king, is played by Ian McShane - not someone you want to disobey.) When the magic beans come into Jack’s possession and a beanstalk is produced, Isabelle gets stuck in the giants’ world. Jack is restricted by his poverty and social class Isabelle is limited by the usual over-protective rules placed upon royalty in fairy tales. So does the kingdom’s fair princess, Isabelle (Eleanor Tomlinson). In this version, Jack (Nicholas Hoult) is an orphaned peasant who yearns for adventure. But when it really gets going, and especially in the last 30 minutes, it’s passable as matinee fodder.
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“Jack the Giant Slayer” is by far his silliest film, and it’s hindered by a screenplay (credited to three writers) that seems to actively avoid giving the main characters any personality.
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It was directed by Bryan Singer ( “X-Men,” “Superman Returns”), a purveyor of enjoyable fluff who strives to deliver popular entertainment that isn’t too dumb. The business decisions behind this jolly CGI-laden confection are more evident than the creative ones, but it’s not a wholly cynical enterprise. Even if it’s not particularly good - and “Jack the Giant Slayer isn’t - it’ll draw enough of a crowd to make it worth your while.
Jack the giant killer budget movie#
You can see the business logic behind a movie like “Jack the Giant Slayer.” Take a familiar fairy tale (one that’s in the public domain so you don’t have to pay anybody’s estate), flesh out the backstory, find a way to give it an epic-sized climactic battle, and slap it up on the big screen in 3D.